Beast Three Stars at the cinema. Certificate 15A

If you’re going to make a movie about Idris Elba facing off against an angry lion, you should at least try to get a good laugh out of it.

beast, Icelandic director Balthazar Kormakul’s wild and remarkable thriller possesses priceless talent. But it’s not as fun as it used to be.

Elba – steady talent, tractability in drama, coziness in action – is no stranger to combining energetic thrills with irreverent wit.

of Suicide Squadhe portrayed a grumpy mercenary with no patience and a hot temper.

of bastille day, He played an overzealous CIA agent chasing a group of terrorists across France alongside a handsome pickpocket (Richard Madden).

of Hobbes & Shaw, Elba tackled the role of a genetically enhanced cyber-villain who called himself “Black Superman”. we could continue.

Plays like every other wilderness survival movie

Here’s the gist: Elba is always interesting, even if the movies around him aren’t. beast We are lucky to have such a talented and dedicated actor at the heart of it.

Elba follows Nate, a grieving widower who plans to travel to South Africa, the birthplace of his recently deceased mother, to reunite with his teenage daughters Nora (Leah Jeffries) and Meredith (Iyana Harry). Dr. Samuels.

The driving force is the driving force behind every other film family at stake. Tough, tense, and hard to fix.

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Perhaps Nate’s old friend Martin (Sharlto Copley) is both a friendly game reserve keeper and a knowledgeable wildlife biologist. It was “Uncle Martin” who first introduced Nate to his wife, and the Samuels clan will be staying with him during the holidays.

Following a reunion of drunken and emotional adults, our generous hosts promise Nate and the girls a vacation not likely to be forgotten.

I see where this is going. The first day of a comfortable safari takes a tragic turn for Martin and Co when they stumble upon a village whose inhabitants are believed to have been killed by vicious predators.

That’s unusual, Martin thinks – and he’s right.

The cast probably deserves a better movie, but this is what we got.

Enraged by the greedy poachers who killed Pryde, a giant lion goes on a rampage, causing Nate and his daughters to stray into the path of a big cat.

Should my frightened friends stay in the car?

probably. Could a movie even be made if the characters in this thing adhered to basic common sense? Probably not. Chaos happens.

It’s really simple stuff, and that’s what keeps this great, even if mostly throwaway thriller. beast Plays like every other wilderness survival movie.

It presents a weary, anxious protagonist who channels ordinary real-life frustrations into extraordinary life-or-death situations.

Employs simple, old-school action charm (seeing Idris survive combat that will test even the toughest of humans) with modern CG offerings (giant digital cat looks a little dangerous at times) and will not collapse on its own.

Our main concern is that Ryan Engle’s lean script, based on Jaime Primack Sullivan’s story, may have been a little too serious, with a sense of humor being a plus. The story is about a man fighting a cat. There must be a joke, right?

Importantly, Elba spares no effort. He is crippled with regret, persuaded as a trauma-stricken tipsy widower, and credited as a stubborn father who would do anything for his children.

You can probably count the number of movies about a depressed practitioner who engages in a bloody fistfight with a Bloomin’ Lion, but somehow, Elba makes it work.

Always welcoming, Copley excels as a cool, confident nature expert. He’s the kind of person you’d want around if your safari trip didn’t go your way.

Jeffries and Halley, on the other hand, do their best in scripts that require one of them to wear a hat. Jurassic Park T-Shirt (you can see what you did there, clever filmmakers) and the two scream and get scared when things go wrong.

Together, they probably deserve a better movie, or at least more vivid dialogue, but this is what we got and hey, it’s not bad.

Plus, it’s done and dusted off in 90 minutes. This is always a bonus. A blockbuster in the works? But on a rainy Sunday afternoon, time flows comfortably. ​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​ ​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​

Also on sale

Malcolm’s list
Currently showing. Certificate PG
4 stars

No matter how liberal and righteous society becomes, it seems that we will never tire of going back entirely to the days when snobs ruled and happiness was defined by the men women could put in their bags. Reviewers protest too much.

In fact, there really isn’t much to complain about with this purposeful Jane Austen pastiche based on Suzanne Allan’s novel and screenplay.

Emma Holly-Jones’ film is a pavlova of fluttering fans, knee-bending, and courtly gameplay set against the backdrop of some of Ireland’s most beautiful mansions.

Leading a particularly diverse cast is Freida Pinto, who plays the beautiful Serena Dalton. She reluctantly agrees to help her wealthy childhood friend Julia Thistlewaite (Zawe Ashton) get back to the highly qualified suitor called Mr. Malcolm (Soap Dillis) who rocked her. . Malcolm has a list of things he wants in a partner, which Julia didn’t quite get.

Her plan of revenge, of course, encounters a Selina-type fly in the ointment when Malcolm falls hard for Julia’s friend.

Disrupting love’s path is a handsome soldier (Theo James) who shows up like a whack-a-mole and gives Serena a happy look.

Hillary White

Granuere’s Scream
IFI & select cinemas from Friday.Undecided
three stars

As is often the case, grief has a distorting effect on reality in this fable centered on Connacht’s celebrated 16th-century pirate queen, Grace O’Malley.

We’re watching you as we wait for the inevitable Granuele Hollywood biopic, Jessica Chastain. This naive, slippery, and charmingly naïve piece of art by Donal Foreman (The Image You Missed) is sure to blow your mind.

Playing filmmaker Maia is the fine American character actor Dale Dickey, whose weathered features have lit up everything from Breaking Bad to Winter’s Bone.

She arrives in Ireland to investigate a project about O’Malley and is assisted on her journey west by Kate (Judith Roddy), a strict academic who, like Maia, is still trying to come to terms with her mother’s death.

After landing on Clare Island, one of O’Malley’s ancestral seats, they begin workshops and filming with the help of friendly locals, but Kate finds Maia’s increasingly unorthodox I get angry at the way history is read.

Foreman’s film may not be enough to launch a convoy, but it has a quirky romance that draws you in.

Hillary White

Selected cinemas; accreditation pending
4 stars

Laure Calamy is Marie, a sex worker in Strasbourg, whose son Adrien (Nissim Renard) has been kicked out of school. Kids are messed up. Moody, aggressive and mean to the poor mother who only wants the best for her son.

He loved to cook, and on the advice of a regular customer, Marie made plans to send Adrien to the most prestigious culinary school in France. The only problem is the high tuition fees, and for that she has to make some tricky sacrifices.

A steady and accomplished presentation by first-time feature director Cecile Ducroc, Her Way is as much about the sex industry as it is about parents striving to provide their children with a secure future. It’s also a movie. Armed with lean and efficient scripts, Ducroc’s films are neither pushy nor preachy, prioritizing story and characters.

Calamy is its unique selling point. She delivers a brilliant and engaging turn as an anxious mother whose resilience is put to the test but maintains unconditional love. look for it

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