Few people were surprised when Tone Hansen was elected as the new director of the still new Munch Museum in Oslo earlier this month. She has been a highly respected and central figure in Norwegian culture for many years, and now she faces new challenges and has considerable internal anxiety among the MUNCH staff.

Tone Hansen has successfully operated the Henie Onstad Art Museum in Hobic, just west of Oslo, for the past 11 years. This fall she will be the director of the new Munch Museum.Photo: Munch

“It doesn’t scare me,” Hansen, a former leader of the Norwegian State Cultural Council Kulturrådet, told the newspaper. Aftenposten Immediately after her appointment by the Oslo City Government, which inherited Edvard Munch’s vast collection of his own art.The city is also responsible for the new high-rise museum that was finally built to house everything, and has had more than 700,000 visitors since it opened in October last year.

Museum staff and curators may still be thrilled with the huge investment in the workplace, all the advertising it produces, and the significant improvements in facilities and complete workspace and exhibition space. Most of them are, but some of the recent decisions by MUNCH’s retired director Stein Olav Henrichsen have raised concerns. Some have complained that he is too commercial-minded, has grown too many sponsors, and has recently undergone a major reorganization shortly before he departs.

The reorganization was upset Various labor organizations representing employees who are worried that their professional artistic abilities are alienated. Approximately 90 of MUNCH’s 230 employees have officially reported concerns that the museum’s new program committee, which was established to develop the museum’s artistic profile, does not include curators. It was sent by the time it was sent to the leader. It remains unclear how curators and other professionals will be represented within management.

Henrichsen defended the reorganization, arguing that it was necessary for a “new era,” and said the committee leader had a long experience as a curator.Henrichsen blamed misunderstandings and said Aftenposten Earlier this month, at the end of September, when his second and final term as a board member expired, he decided to “provide a good organization and a good program to new board members.” He also denies that it is a major reorganization, saying that it only makes “coordination” of current leadership.

The new MUNCH Museum in Oslo is a very large organization, so new leaders always expect some friction. Meanwhile, the museum has been a huge hit with the masses, introducing a large new exhibition just six months after its opening. Photo: Munch Museum / Guttorm Stilén Johansen

Hansen didn’t want to comment on his anxiety. She emphasized that she wouldn’t take over until this fall. But she said there is always some friction in such a large organization. Omar Sammy Gamal, a city politician in charge of cultural issues, said he and his colleagues “have a thorough assessment of the situation in good dialogue with the museum.”

Meanwhile, Hansen faced a warm welcome From city and museum leaders. “By Tone Hansen, we have a visionary leader with a strong sense of social involvement and a solid artistic background,” said city government leader Raymond Johansen in her appointment. Was announced. While Hansen himself calls her new position-in a “dream job,” he said she also has extensive insights and a wide network of international contacts.

She has spent the last 11 years as the leader of the Henie Onstad Art Center, just west of Oslo. The art center was founded in the 1960s by ice skate star Sonja Henie and her husband Niels on Stud. The 52-year-old Hansen is highly regarded for reviving the center during her tenure. Of the large KODE museum in Bergen. He was also a candidate for MUNCH’s job, Aftenposten Hansen was a good choice.

She is also well known among the general public, especially after leading the Cultural Council from 2015 to 2019. The Henie Onstad Art Museum has a solid track record of major projects and offerings, with careful combinations of popular artists such as Nikolaia Strap and Jacob. In principle, there are also important exhibits, such as those related to the AIDS epidemic, as well as Weidemann. She was also well received and she “established a staff of talented employees and showed them her confidence,” Snare said. “She is confident she will do a good job in her new position.”

Hansen himself said he values ​​”diversity and equality” As most managers. She wants the museum to be a place where everyone feels welcome and people visit her over and over again to “bring her friends.” She believes that Oslo itself is becoming the “most exciting city of art and culture” in the Nordic region.

Hansen, who lives in the Skillebekk district of Oslo, was born in the northern city of Kirkenes and spent his childhood in Harstad and Trondelag. She was educated as an artist by the Norwegian State Academy of Arts after her teacher kept her away from her engineering and architecture due to her drawing skills and her gaze on shapes and colors. rice field.

She told the newspaper Dagens Næringsliv (DN) However, I thought it was “too lonely” to actually become an artist, so I realized that I had the talent to make. other A good artist instead. It started a different kind of career in art and culture.

She said she always “had a relationship with Munch” until she was a teenager because of “all the wonderful emotions of his art” such as romance, jealousy, drama and melancholy. “He is still one of the best painters in the world, and it’s great that he managed to do something and his art is still very relevant,” Hansen said. She officially launches her new job on October 1st to share Munch with the general public.

newsinenglish.no/Nina Berglund

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